Every reader reads and interprets poetry differently. From the Symbolists, Eliot takes his sensuous language and eye for unnerving or anti-aesthetic detail that nevertheless contributes to the overall beauty of the poem the yellow smoke and the hair-covered arms of the women are two good examples of this.
At the very least, this notion subverts romantic ideals about art; at best, it suggests that fragments may become reintegrated, that art may be in some way therapeutic for a broken modern world. The second defining characteristic of this poem is its use of fragmentation and juxtaposition.
Eliot is a poem about a man who is extremely insecure with himself. A Character Analysis of J. He expresses feelings of estrangement from society throughout the poem, which suggests to readers that he has a very gloomy outlook on his life as a human being. Here, the subjects undergoing fragmentation and reassembly are mental focus and certain sets of imagery; in The Waste Land, it is modern culture that splinters; in the Four Quartets we find the fragments of attempted philosophical systems.
Prufrock has quite obviously been scrutinized about his appearance before, as made clear by the following lines: Both are an expression of aesthetic ability and sensitivity that seems to have no place in the modern world.
One of the most prominent formal characteristics of this work is the use of refrains. These lines suggest that Prufrock wishes to escape humanity and live among the mythical or supernatural.
He not only feels anxious around women, but also feels emotionally distant from the rest of society, causing him to live an awkward, lonely life, full of depression and gloom.
First, they are the utterances of a specific individual not the poet at a specific moment in time. In the final line of the poem, his fantasy world is shattered by humanity and comes crashing down: And how should I presume?
No one reading of a poem is correct, which is exactly why I love literature so much! Dramatic monologues are similar to soliloquies in plays. Prufrock is not just worried about scrutiny from women, but perhaps from all of society.
Three things characterize the dramatic monologue, according to M. In the world Prufrock describes, though, no such sympathetic figure exists, and he must, therefore, be content with silent reflection.
My reading portrays Prufrock as an insecure man who feels inferior to the women described in the poem and estranged by the society of his time, and I have provided the same amount of solid evidence from the poem to prove that my reading is plausible as well.
The Symbolists, too, privileged the same kind of individual Eliot creates with Prufrock: The bits and pieces of rhyme become much more apparent when the poem is read aloud. However, whereas the Symbolists would have been more likely to make their speaker himself a poet or artist, Eliot chooses to make Prufrock an unacknowledged poet, a sort of artist for the common man.
In The Waste Land, crabs become rats, and the optimism disappears, but here Eliot seems to assert only the limitless potential of scavenging. For I have known them all already, known them all— The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways?
Eliot also introduces an image that will recur in his later poetry, that of the scavenger. In reality, Eliot the poet is little better than his creation: Eliot sustained his interest in fragmentation and its applications throughout his career, and his use of the technique changes in important ways across his body of work:The Very Unlovely Love Song of J.
Alfred Prufrock “The Love Song of J. Alfred Prufrock,” by T. S.
Eliot, is best known for its ironic bastardization of what a love song should be. “The Love Song of J. Alfred Prufrock” Summary. This poem, the earliest of Eliot’s major works, was completed in or but not published until It is an examination of the tortured psyche of the prototypical modern man—overeducated, eloquent, neurotic, and emotionally stilted.
Oct 21, · “The Love Song of J. Alfred Prufrock” by T.S. Eliot is a poem about a man who is extremely insecure with himself.
Prufrock has an “inferiority complex” of sorts, rendering him unable to enter a romantic situation with women. The Deeper Side of Prufrock from The Love Son of J.
Alfred Prufrock Thomas Sterns Eliot wrote the poem "The Love Song of J. Alfred Prufrock" over a period of six years and published it circa at the ripe old age of twenty-nine. T.S. Eliot’s poem “The Love Song of J.
Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind.
The Love Song of J. Alfred Prufrock, dramatic monologue by T.S. Eliot, published in Poetry magazine in and in book form in Prufrock and Other Observations in The poem consists of the musings of Prufrock, a weary middle-aged man haunted by the feeling that he has lost both.Download